{"id":2020,"date":"2018-03-09T16:50:16","date_gmt":"2018-03-09T15:50:16","guid":{"rendered":"https:\/\/www.cultura-stmoritz.ch\/en\/?p=2020"},"modified":"2018-08-06T15:02:11","modified_gmt":"2018-08-06T13:02:11","slug":"leila-schayegh","status":"publish","type":"post","link":"https:\/\/www.cultura-stmoritz.ch\/en\/leila-schayegh\/","title":{"rendered":"Master Class for Baroque Violin with Leila Schayegh"},"content":{"rendered":"

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Master Class for Baroque Violin with
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Leila Schayegh<\/strong><\/h2>\n

July 15th<\/sup>\u201322nd<\/sup>, 2018<\/h3>\n

[\/vc_column_text][vc_column_text el_class=”txt-white”]Registration deadline<\/strong> July 1st<\/sup>, 2018
\nThe registration shall be binding.<\/p>\n

Target groups <\/strong>Music students, Baroque violinists, listeners<\/p>\n

Languages<\/strong> German, English, French, Italian<\/p>\n

Address <\/strong>Chesa da Cultura, Via Dimlej 44, CH-7500 St. Moritz<\/p>\n

The course is aimed at music students, Baroque violinists, and listeners. It is assumed that active participants will bring their Baroque violins
\nwith them. Leila Schayegh will be assisted by Andreas Westermann on the harpsichord. Lessons will be organized on different levels and
\nmainly focus on solo works as well as chamber music from the early Baroque to the classical period. In addition, the course will also be
\ntaught in separate groups in order to individually adapt the course programme to all participants. For the repertoire, you may submit
\nyour own wishes, which Leila Schayegh will respond to if possible. The different styles of embellishments, e.g. \u201cchin-off\u201d playing as well
\nas the instrument position in the early Baroque repertoire, will be discussed, too. The master class will open with a convivial dinner
\non July 15th, 2018, at 6 p.m. The closing concert will take place on July 21st, 2018, at 8.30 p.m.<\/p>\n

Leila Schayegh<\/strong> is a sought-after soloist and chamber musician on the important stages of the Early Music scene. Since 2010, Leila Schayegh
\nhas been a lecturer at the Schola Cantorum Basiliensis, where she leads a class for violin in old diapason. Thanks to her good reputation
\nas a professor, she regularly works as a guest lecturer at workshops and master classes at various music schools and academies and with
\nvarious orchestras. Her repertoire impresses in its breadth from early Baroque to late Romanticism. Her recordings have been awarded the
\n\u00abDiapason d\u00b4Or\u00bb in 2015 and 2016, as well as the \u00abEditor\u203as Choice\u00bb by Grammophone and the \u00abBest List\u00bb of the German Record Prize.<\/p>\n

Andreas Westermann<\/strong>, born in Munich in 1988, studied at the Hochschule fu\u0308r Musik und Theater Mu\u0308nchen with Prof. Christine Schornsheim
\n\u201cAlte Musik\u201d and \u201cChor- und Ensembleleitung\u201d with Prof. Martin Steidler. In 2014, he continued his studies at the renowned Schola
\nCantorum Basiliensis and completed them in 2016 with distinction. With the \u201cQuartett \u00e0 5\u201d ensemble, Andreas Westermann won the 2nd
\nprize at the International Gebru\u0308der-Graun Competition. He works as an accompanist at the Schola Cantorum Basiliensis.<\/p>\n

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